The Journal of the Joseph
Conrad Society (UK)
Published twice yearly,
with issue in the spring and autumn, The
Conradian: The Journal of the Joseph Conrad Society (UK) is
a refereed journal of scholarship devoted to the life and writings
of Joseph Conrad. It is the recognized
journal of record in the field of Conrad studies. Recent
issues have included work on all aspects of Conrad.
The General Editor is Allan H. Simmons, the Contributing Editors Owen Knowles, Alexandre Fachard and Gene M. Moore, and the Advisory Editor Laurence Davies.
The journal is included in the cost of membership
and sent to all members of The Society. It is available by subscription
to libraries. For information on current rates for members/subscribers
as well as methods of payment, please see the Membership page.
The Conradian is indexed in the MLA International
Bibliography, The Year's
Work in English Studies , Abstracts
in English Studies, and Victorian
Studies. The journal from 1993 to 2006 will be available
in digital form from JSTOR some time in 2012.
The Conradian Green Open Access policy to support researcher funder and mandate compliance (e.g. the REF in the UK): LINK TO POLICY
Back issues are available for certain years
and may be purchased by contacting The Honorary Secretary. A sample
issue (pdf file) is available here. For
a list of back issues available, prices, and payment methods see
either of the two forms provided here for downloading and printing: MS Word Back Issues or PDF Back Issues.
The Conradian welcomes submissions on all aspects of the life and writings of
Joseph Conrad. Normally, essays vary between 5,000-8,000 words in
length, although in exceptional cases where a topic warrants further
development the word-limit can be increased. Notes are also welcome.
The journal reviews only the volumes of The Cambridge Edition
of the Works of Joseph Conrad. Other volumes of interest are
reviewed on this website.
Cambridge University Press, acting for The
Estate of Joseph Conrad, has determined that all unpublished letters
by Conrad (which as unpublished work are still in copyright) should
appear only in The Conradian. Permission to publish these
need not be sought. Unpublished letters are to be formatted following
the conventions in The Collected Letters.
Since the journal publishes only 15-18 full
length essays per year and essays are typically solicited after
the Annual Conference, a very high standard of scholarship is maintained
and only original and significant work can be considered for publication.
Submissions should be sent to The Editor at TheConradian@gmail.com as a Windows-based MS Word file. A template is available here and may be altered as desired to make a submission.
A brief bio-bibliography will be requested from the writer upon
acceptance of a submission. (See the latest issue for models.)
Non-members whose work has been accepted for
publication in The Conradian are invited to take out membership
to support the Society for the calendar year in which their work
The decision to publish an essay is undertaken
by the editorial committee on the advice, if required, of specialists
in the wider scholarly community. A decision normally takes approximately
Essays are thoroughly edited for style, for
consistency with house-style practices, clarity of argument, and
accuracy of citations and references and then returned to the writer
for checking and final approval.
The time-lag between acceptance and publication
can vary, depending upon the number of essays in hand and whether
or not a special issue is scheduled. At present, at least twelve
months will usually pass between acceptance and publication.
From time to time, the editors solicit material
for special issues. These issues are also published as monographs
by Rodopi of Amsterdam. Themed issues are another separate category,
with a focus maintained in all (or in the overwhelming number of)
The Conradian uses a "Works cited" citation format (see the Style
Sheet), and writers are requested to submit their work in it.
Footnotes are reserved for the expansion of ideas and not for bibliographical
information as such. Submissions not conforming to this rubric may
be returned to the writer before being considered.
Relevant illustrations (normally black and
white) may accompany an essay. Originals should only be submitted
once an essay has been accepted, at which time specifications regarding
acceptable quality and format (a minimum of 300 dpi for digital
images) will be supplied the writer. If maps are required, we can
recommend a cartographer and usually can cover expenses; however,
providing models to be redrawn are the responsibility of the writer.
Potential contributors should apply The
Conradian Style Sheet to their work to expedite processing and editing.
Contents of The Conradian 42.1 (Spring 2017) are posted below:
- Masanori Ito The Modern Crowd and the Palimpsest Narrative in The Nigger of the “Narcissus”
- Felicia Martinez Are Persons like Steel or a Cloud?: Conrad’s Contributions to the Contradictions of Personhood
- Ayse Deniz Temiz “Le sort en est jeté”: Aleatory Sound and Narrative Order in Nostromo
- Catherine Delesalle-Nancey Inscrutable women in Joseph Conrad’s “The Brute: An Indignant Tale”
- Claude Maisonnat “Trying not to see something that was not there”: Trauma and Redemption in The Rover
- Mark Fitzpatrick “Une harmonie de terreur et de beauté ”: Henry-D. Davray as Conrad’s French Critic
- Owen Knowles and Allan H. Simmons Four New Conrad Letters, 1900–1920
- Peter Lancelot Mallios Review of Victory