The Conradian 49.1 (Spring 2024)

Agnieszka Adamowicz-Pośpiech The Napoleonic Era in Conrad’s Work: A Polish Perspective
Jana M. Giles Of a Superior Kind and an Inextinguishable Nature: Writing the New Man New Woman in “Falk: A Reminiscence”
Christie Gramm Narrative Framing in “Amy Foster” and Chance
Douglas Kerr Two Initiations in The Mirror of the Sea
Hugh Epstein The vertiginous aspect in Conrad’s Fiction
Gene M. Moore Review: Nostromo, edited by Roger Osborne with Introduction and Notes by Hugh Epstein