The Conradian 41.1 (Spring 2016)

Ewa Kujawska-Lis Conrad’s Mastery of Language in the Early Marlow Narratives: The Functions and Effects of Comparisons
Emily Ennis Joseph Conrad Writing Photography: Authenticity and Identity in The Inheritors and “The Black Mate”
Brendan Kavanagh “Dirty weather”: Typhoon’s Meteorology and MacWhirr’s Point of View
Patrick Tourchon Semeiotic Density in Almayer’s Folly
Keith Carabine and Owen Knowles Conrad, E. L. Sanderson, and the Wooing of Helen Watson
An Ning Conrad Studies in Mainland China, 1924–2014
Alexandre Fachard Why Jessie Conrad Was Not a Professional Typist
Owen Knowles and Allan H. Simmons Three New Conrad Letters, 1899, 1910, and 1913
Owen Knowles Conrad’s One Day More and The Speaker. A Suppressed Review
J. H. Stape Conrad’s Visit to Captain Blake: Narrating Memory in The Mirror of the Sea
J. H. Stape Conrad’s “An Anarchist”: Footnotes to Norman Sherry