The Conradian 42.1 (Spring 2017)

Masanori Ito The Modern Crowd and the Palimpsest Narrative in The Nigger of the “Narcissus”
Felicia Martinez Are Persons like Steel or a Cloud?: Conrad’s Contributions to the Contradictions of Personhood
Ayse Deniz Temiz “Le sort en est jeté”: Aleatory Sound and Narrative Order in Nostromo
Catherine Delesalle-Nancey Inscrutable women in Joseph Conrad’s “The Brute: An Indignant Tale”
Claude Maisonnat “Trying not to see something that was not there”: Trauma and Redemption in The Rover
Mark Fitzpatrick “Une harmonie de terreur et de beauté ”: Henry-D. Davray as Conrad’s French Critic
Owen Knowles and Allan H. Simmons Four New Conrad Letters, 1900–1920
Peter Lancelot Mallios Review of Victory