The Conradian 36.2 (Autumn 2011): Under Western Eyes: Centennial Essays

• Carola M Kaplan: Conrad’s Fatherless Sons: Betrayal by Paternity and Failure of Fraternity in Under Western Eyes
• Jeremy Hawthorn: Literary Borrowing and Generic Transformation: The Presence of Dostoyevsky and Hoffmann in Under Western Eyes and “The Secret Sharer”
• Richard Niland: “Unfit for Action . . . Unable to Rest”: Goethe, Lermontov, and Under Western Eyes
• Yael Levin: The Interruption of Writing: Uncanny Intertextuality in Under Western Eyes
• Paul Eggert: Conrad's Working Methods in Under Western Eyes
• Catherine Delesalle-Nancey: Underground Explosion: The Ethics of Betrayal in Under Western Eyes and Malcolm Lowry’s Under the Volcano
• Josiane Paccaud-Huguet: Conrad our Contemporary? The Case of Under Western Eyes
• Andrzej Busza: Under Western Eyes and "The Theatre of the Real"
• Ludmilla Voitkovska: A View from the East: The Russian Reception of Under Western Eyes
• John G. Peters: Under Western Eyes: An Explosive Review

• Brian Richardson: The Trope of the Book in the Jungle: Colonial and Post-colonial Avatars
• Matthew Paul Carlson: Conrad’s Early Fiction and the Æsthetic of Dehumanization
• Claes E. Lindskog: Making Us See: Lord Jim and the Visual Imagination
• David Mulry: "Twin Antitypes": Conrad's Secret Sharers and Turgenev's "Hamlet and Don Quixote"
• Kim Salmons: Cannibalism and the Greely Arctic Expedition: A New Source for Conrad’s “Falk”
• Allan H. Simmons and J. H. Stape: The Conrads in Brittany: Some Biographical Notes
• C. T. Watts: Contexts for The Secret Agent, with a Letter from R. B. Cunninghame Graham to H. B. Samuels
• Owen Knowles and Allan H. Simmons: Two New Conrad Letters: 1920 and 1921
• Frank Förster: Conrad: The First German Translations
• John G. Peters: A Bibliography of Books, Pamphlets, and Broadsides about Joseph Conrad: Part 1: 1910–1979

The Conradian 35.2 (Autumn 2010)

• William Freedman: Conrad and the Anxiety of Knowledge
• Paul Johnson Byrne: 'Heart of Darkness': The Dream-Sensation and Literary Impressionism Revisited
• Gudrun Kauhl: On Certain Problems on Reading Chance
• Andrew Francis: "You always leave us": Marriage and Concubinage in Conrad's Asian Fiction
• David Miller: His Heart in My Hand: Stories about Borys and John Conrad
• J. H. Stape: "Setting out for Brussels": Conrad and the "Sepulchral City"
• Richard M. Berrong: The Revenge of the Raped Woman: “The Idiots” and Charles Le Goffic’s Le Crucifié de Keraliès
• Mary Burgoyne: "These ignorant and bumptious reviewers": F. J. Furnivall in Defence of Conrad
• Owen Knowles: Glimpses of a Uncollected Letter of 1899: Conrad to Katherine De Friese
• Owen Knowles and J. H. Stape: Seven New Conrad Letters, 1902–1917

The Conradian 35.1 (Spring 2010)

• A. M. Purssell: "Where civilization brushes against wild mystery”: “Freya of the Seven Isles,” Conrad, and the Archive
• Debra Romanick Baldwin: "Simple Ideas" and Narrative Solidarity in “Prince Roman”
• Kaoru Yamamoto: "The Warrior's Soul" and the Question of Community
• Richard M. Berrong: "Heart of Darkness" and Pierre Loti's Ramuntcho: Fulcrum for a Masterpiece
• William Atkinson: Mr Kurtz's Good Death
• C. T. Watts: Killing “The Newt”: Kipling’s “Sea Constables” and Conrad’s “The Tale”
• Laurence Davies: Conrad’s “Patriotic Charitable” Donation: “An Outpost of Progress” in The Ladysmith Treasury
• Allan H. Simmons: Conrad and the Duke of Sutherland
• J. H. Stape: Father Gobila, I Presume?: Sources for “An Outpost of Progress”
• C. T. Watts: Jews, Aglae, and Suspense

Autumn 2009 (Volume 34.2)

• Andrea White: “The Profound Perplexity of Living”: Narrating the Bewildered Self in the Colonial World of Victory
• A. M. Purssell: Of Other Spaces: Conrad, Graham Greene, and Tourism
• C. T. Watts: Under Western Eyes: The Haunted Haunts
• Kiel J. Hume: Time and the Dialectics of Life and Death in "Heart of Darkness"
• Claude Maisonnat: The Agency of the Letter and the Function of the Textual Voice in Under Western Eyes
• Patricia Pye: Hearing the News in The Secret Agent
• Andrew J. Francis: Recovering the Ethics of Economic Botany in Conrad’s Asian Fiction
• Mary Burgoyne: Conrad and Advertising: The “spell of such emphasis”

• Laurence Davies: Six New Letters and A Policy
• John G. Peters: Conrad to T. Fisher Unwin: An Uncollected Letter of 1910
• Walter Putnam: Typhoon in a Teapot: A 1917 Letter from Conrad to André Gide
• J. H. Stape and Allan H. Simmons: Conrad to Hugh R. Dent: A Recently Discovered Letter of 1919
• Stephen Donovan: Conrad and the Garlands: An Unpublished Letter of 1922
• Donald W. Rude and J. H. Stape: Conrad to Fanny Butcher: An Unknown Letter of 1923
• Owen Knowles: Conrad to Mr Hughes: A New Letter of 1924

• Helen Baron: Lost in Complication: A Review-Essay of The Cambridge Edition of 'Twixt Land and Sea

Spring 2009 (Volume 34.1): Themed Issue on Biography

• The Kliszczewski Document, edited by J. H. Stape
• Owen Knowles and J. H. Stape: Conrad, Galsworthy's "The Doldrums," and the Torrens
• John Galsworthy: "The Doldrums"
• Anne Arnold: Marguerite Poradowska as Conrad's Friend and Adviser
• J. H. Stape: Jessie Conrad in Context: A George Family History
• J. H. Stape: “The Pinker of Agents”: A Family History of James Brand Pinker
• J. H. Stape: "Intimate Friends”: Norman Douglas and Joseph Conrad
• J. H. Stape: Sketches from the Life: The Conrads in the Diaries of Hugh Walpole
• Richard Niland: Review of The Cambridge Edition of A Personal Record

Autumn 2008 (Volume 33.2)

• Martine Hennard Dutheil de la Rochère: “Heart of Darkness” as Modernist Anti-Fairy Tale
• A. M. Purssell: “The End of the Tether”: Conrad, Geography, and the Place of Vision
• David Mulry: Untethered: The Narrative Modernity of “The End of the Tether”
• Coen van 't Veer: Inner Jungles: Albert Alberts’s “Groen,” Stefan Zweig’s Der Amokläufer, and “Heart of Darkness”
• Alexandre Fachard: Contextualizing “Because of the Dollars”
• Mario Curreli: Garibaldian Names in Nostromo
• J. H. Stape and Owen Knowles: Conrad: A New Letter of 1918
• Mary Burgoyne: Conrad's Last Letter: To Sir Sidney Colvin
• Martin Ray: Supplementary Notes to The Collected Letters of Joseph Conrad, Volumes 1-7
• J. H. Stape: Conradiana in the 1901 Census and Other Sources of Record
• Jeremy Hawthorn: Review of The Collected Letters of Joseph Conrad, Volumes 8 and 9

Spring 2008 (Volume 33.1)

• Hugh Epstein: "The Fitness of Things”: Conrad’s English Irony in “Typhoon” and The Secret Agent
• Martin Ray: Conrad, Schopenhauer, and le mot juste
• John Lester: Conrad's Arrow of Gold
• Tiffany Tsao: Conrad and Exploratory Science
• Alston Kennerley: Joseph Conrad at the London Sailors' Home
• Susan Jones: Alice Kinkead and the Conrads
• Anne Arnold: Marguerite Poradowska as a Translator of Conrad
• Owen Knowles and J. H. Stape: Conrad’s Early Reception in America: The Case of W. L. Alden
• Richard Niland: "Who's that fellow Lynn?": Conrad and Robert Lynd
• Martin Ray: Conrad and “Civilized Women”: Miss Madden, Passenger on the Torrens
• Owen Knowles: Conrad and the Minesweepers’ Gazette: A Note
• Martin Bock: Joseph Conrad and Germ Theory: Further Thoughts

Autumn 2007 (Volume 32.2): Conrad: A 150th Anniversary Celebration

• Martin Rowson: Cartoon of Joseph Conrad
• Michaela Bronstein: "The power of sentences": Conrad’s Saving Eloquence
• Siddhartha Deb: Near Distance
• Andrzej Busza: Two Poems
• Laurence Davies: Clenched Fists and Open Hands: Conrad's Unruliness
• Howard Norman: A Harmless Forgery
• Philip Hensher: On Chance
• Patrick McGrath: Conrad's "The End of the Tether"
• Javier Marías: The Much-persecuted Spirit of Joseph Conrad
• Fred Rowson: A Schoolboy Looks at Conrad
• Brian Thompson: The Devil in Us
• J. H. Stape: On Conrad Biography as a Fine Art
• Cynthia Ozick: Dictation
• Paul Kirschner: Conrad, James, and “The Other Self”
• John Burnside: Joseph Conrad's Last Day
• David Miller: Recent Writing and Conrad

Spring 2007 (Volume 32.1): Special Issue for the Centenary of The Secret Agent

• David Mulry: The Anarchist in the House: The Politics of The Secret Agent
• Paul Wake: The Time of Death: “Passing Away” in The Secret Agent
• Pat Pye: A City that “disliked to be disturbed”: London’s Soundscape in The Secret Agent
• Yuet May Ching: “A heap of nameless fragments”: Sacrifice, Cannibalism, and Fragmentation in The Secret Agent
• David Prickett: No Escape: Liberation and the Ethics of Self-Governance in The Secret Agent
• Ellen Burton Harrington: The Female Offender, The New Woman, and Winnie Verloc in The Secret Agent
• Cedric Watts: Jews and Degenerates in The Secret Agent
• Ludmilla Voitkovska and Zofia Vorontsova: Textualizing Liminality in The Secret Agent
• Ludwig Schnauder: The Materialist-Scientific World View in The Secret Agent
• J. H. Stape and Allan H. Simmons: Tosca's Kiss: Sardou, Puccini, and The Secret Agent
• Hugh Epstein: An Analogous Art: Conrad’s The Secret Agent and John Virtue’s London Paintings and Drawings
• Michael Newton: Four Notes on The Secret Agent : Sir William Harcourt, Ford and the Rossettis, Bourdin's Relations, and a Warning from Δ
• Mary Burgoyne, editor and compiler: Conrad among the Anarchists: Documents on Martial Bourdin and the Greenwich Bombing